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  France must repent of her blasphemy

The highly anticipated Paris Olympic games have been overshadowed by a controversial depiction of the Last Supper that sent billions across the world into a rage. The opening ceremony featured segments that openly mocked God and declared an all-out war on the Christian faith and traditional values. The overwhelming view is that the ceremony was satanic.

“The opening ceremony of the Olympics is not even hiding the satanic rituals anymore. There is no longer anything hidden in plain sight. These are the demonic dark forces of Satan who want to eclipse the light. You can already see: – skulls – motifs of death – satanic red lighting – children trapped in tunnels,” Shadow of Ezra posted on X, formerly Twitter.

This view was amplified by social media user Andrew Tate, who posted a clip of one of the opening ceremony’s segments referencing the historic event of Marie Antoinette’s beheading. Tate wrote, “Satanists control the west, and they show you that they worship the devil. It’s not a conspiracy theory. They literally show you. Are you blind?”

Here are some of the segments that have repulsed Christians globally:

The blasphemous ‘Last Supper’

Pale horse

The ‘Last Supper,’ featuring drag performers, has been the most controversial and disturbing aspect of the opening ceremony. The scene resembled a modern re-creation of Leonardo da Vinci’s famous painting, which features Jesus and his 12 Apostles. The painting of The Last Supper was, however, recreated, and Jesus was replaced with a woman wearing a silver, halo-like headdress standing at the centre of a long table, with drag queens and even a child posing on either side of her. The blasphemous parody drew backlash from Christians, conservative politicians, and commentators for being too woke.

A blue Dionysus dances

The appearance of French singer and actor Philippe Katerine, who was practically naked while on display on a large plate of fruit and flowers, was very disturbing for many. The singer, who was painted in blue, was meant to represent Dionysus, the Greek god of wine and pleasure.

“Why is he there? First and foremost because he is the god of celebration in Greek mythology, and the tableau is called ‘Festivity,’ said Thomas Jolly, the director of the opening ceremony for the Paris 2024 Games.

“He is also the god of wine, which is also one of the jewels of France, and the father of Séquana, the goddess of the River Seine. The idea was to depict a big pagan celebration, linked to the gods of Olympus, and thus the Olympics.”

The worship of other gods is called idolatry and is ultimately the expression of unfaithfulness to the Sovereign God. Exodus 34 verse 14, “For thou shalt worship no other god: for the Lord, whose name is Jealous, is a jealous God.”

The pale horse

One of the acts of the ceremony witnessed a rider on a pale horse parading along the River Seine.

On social media, the pale horse drew parallels to the New Testament’s Book of Revelation and End Times.

“And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.” (Revelation 6:8)

The pale horse is said to be the ultimate consequence of a society that has fully immersed itself into imperialism, militarism, economic exploitation, widespread death, and decay.

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